Teenage Kicks – Ten Albums From Your Teens

I’ve intended for a while to write more about music. Here is a great opportunity – recently one of those Facebook memes was doing the rounds, of the type I usually ignore, but this one got my attention. It was fun to think back!

List 10 albums that made a lasting impression on you as a TEENAGER, but only one per band/artist. Don’t take too long and don’t think too much. Re-post your answers on your own timeline and tag me.

Oasis – What’s The Story (Morning Glory)
Sleeper – The It Girl
Blur – Parklife
Manic Street Preachers – Everything Must Go
Placebo – Without You I’m Nothing
Stereophonics – Performance And Cocktails
Radiohead – OK Computer
Echobelly – On
Space – Spiders
Idlewild – Hope Is Important

I was definitely a 90’s Britpop/indie/rock teen! I didn’t start listening to albums and developing a taste in music until I was 15, in 1995, and didn’t explore older stuff and other genres until I was 19 or 20. I think most people start discovering music in their teens. Prior to ’95 I was listening to a small handful of ‘various artists’ cassettes. Then I started making mixtapes with a lot of stuff from the above list and more.

The one album per artist rule made it difficult! I wanted to include The Masterplan by Oasis,the B-sides album really was better than a lot of other artists primary albums, and The Great Escape by Blur though looking at it today I don’t think that one stood the test of time. I liked Definitely Maybe but didn’t listen to it as often.

You have to write the list in one go without spending too long on it. After writing it I realised I could swap out Idlewild or Space and put in Bring It On by Gomez or perhaps Free Peace Sweet by Dodgy. I also went through a phase of very heavily listening to a Queen mixtape I’d made.

And obviously The Bends is as much as classic Radiohead album as OK Computer, but it was released before I was really paying attention – OK Computer really was the one that got me to pay attention to them, especially the video to Karma Police.

What’s The Story was my first ever album on CD format, it was given to me for Christmas.

Sleeper I found through a (now former) school friend and I became addicted this album, which turned out to be the best of their three as well as most successful.

Without You I’m Nothing seemed a perfect fit for an angst-ridden 18 year old and made for a great driving album! I’m not sure I’d listen to it now when driving, but at 18..

Space were always a bit quirky and I did like that album a lot at the time. I think they’re often forgotten today.

Idlewild was what came to mind while writing, again another one that suited an angst-ridden 18 year old. Hope Is Important is a very raw album that sounds nothing like their polished radio-friendly later work.

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Playing Favourites: Disclosure – Settle

‘Playing Favourites’ is an irregular series in which I share some of my favourite albums, or just whatever I’m listening to at the time. I’ve wanted to do this since I started the blog, then Christine’s album adventure inspired me to make the effort to actually do it.

These aren’t really reviews and they aren’t new discoveries, though they might be sometimes. More a slightly self-indulgent sharing of some things I like. Some albums will be very well known, others may just have a few highlights, others I think deserve to be bigger and more widely-known than they are. All in my humble opinion, of course.

First up is something for this amazing hot summer of 2018 we’re enjoying.



Disclosure_-_Settle

Album:  “Settle”
Artist:  Disclosure
Year:  2013

Spotify (direct link):

 

This is a great listen for the summer!

It combines a mixture of vocal pop with more club-focused dance tracks, with a strong house influence. This is an album of collaborations with Disclosure providing the music and guest singers lending their voices.

When MJ Cole released ‘Sincere‘ and ‘Crazy Love’, back in about 2000, the sound I hoped would follow is what Disclosure have created in this album. It really does feel like an advancement on that style (which was a clear departure from the UK Garage scene it was included within) – I’m glad it exists.

 

 

Probably the most familiar songs from the time of release are ‘Latch’ featuring Sam Smith giving a great performance, and ‘White Noise’ featuring AlunaGeorge. ‘White Noise’ makes me feel like I’m in a club aged 20 again.

Other highlights include ‘You & Me’ (ft. Eliza Doolittle), ‘Defeated No More’ (ft. Ed MacFarlane from Friendly Fires) – and ‘Voices’ (ft. Sasha Keable), which I never heard anywhere at the time yet is one of the best on the album.

For me, ‘When A Fire Starts To Burn’ and ‘Grab Her!’, though very catchy, they aren’t my thing. The first has a really good hook and I wish they’d not looped the vocal so often as I think it takes away from it. The other I don’t care for at all and it just doesn’t fit the rest of the album. I think they learned this for ‘Caracal’, the second album, which is more flowing.

What’s interesting about ‘Settle’ is at the first few listens it sounds like an upbeat summery album to while away the day. Then when you listen to what they’re saying you find there’s a lot more depth to it.

There are 14 songs on the original release, the Deluxe version adds four more including the infectious ‘What’s In Your Head’.

Top Tracks

I planned to have a ‘top tracks’ section before I knew which album would go first. It just so happens the first pick has at least seven that I think would be considered standouts on most albums! There’s a lot of good stuff on this one.

  • Latch (ft Sam Smith)
  • White Noise (ft AlunaGeorge)
  • You & Me (ft Eliza Doolittle)
  • Voices (ft Sasha Keable)
  • January (ft James Woon)
  • And from the Deluxe edition are ‘What’s In Your Head’ plus the Disclosure remix of Jessie Ware’s ‘Running’ which is totally different to the original (which is also really good).

 

 

 

 

Manic Street Preachers – Cardiff CIA – 21 May 2011

Last week I had the amazing fortune to see the Manic Street Preachers live, and not just live but ‘at home’ in Wales, in the centre of Cardiff!

I went along with friends Duncan (known for years), Luke (who I’d been to the Belgian Grand Prix with, and other things) and ‘Mr C’ who co-hosts the Sidepodcast F1 podcast and community many of us are addicted to.

We met in the TGI Friday’s opposite the venue (er, eventually.. Mr C was his trademark late arriving which had us a bit worried, with him having the tickets!) where we stuffed our faces with large servings of food. Cheesey double bacon cheeseburger, HUGE.

Support

We got to the Arena in time for the support act, The Joy Formidible. I had an idea of what to expect after Lukeh sent me a link a few weeks ago but hadn’t really had the time to listen properly. Well now I will: they were very good live. We were generally agreed they need a single or catchy song to hang the rest of the songs around, but they could play live to a big crowd, no doubt about that. It sounded more like a complete album rather than a collection of potential singles, and there’s nothing particularly wrong with that – I’ll get the album and perhaps it’ll make more sense that way.

They sounded really familiar though and none of us could pinpoint why. Familiar.. but also different. A cross between Editors and Catatonia and Blondie and their own sound too. I liked it and shall buy the album.

Main Event

Manic Street Preachers, Cardiff CIA, Saturday 21 May 2011 (sorry about the poor quality pic)

If you were to ask me to describe the Manics live this paragraph would just be a string of superlatives.

They seemed a bit more polished than some bands I’ve seen, although I reckon they’ve probably toured a lot more too. Polished isn’t always a good thing live because you don’t want it to sound like an album is being played out over the speakers, needs to be an element of ‘live performance’ too. I think they struck a good balance, especially with the acoustic songs.

Never would I have expected an acoustic version of Everything Must Go, I’d only heard that in a live appearance in a radio studio to be honest had forgotten it, so when Bradfield started playing I didn’t think it would work with a huge live crowd – but it did!

There was a song from every album, something for everyone from the angrier more raucous earlier stuff to calmer quieter side. From the anthems which made them popular to the more ‘grown-up’ sounding songs they’ve released over the last few years. For those of us who like the whole back catalogue – and the four of us are in that category – we loved it all.

My highlights were Motorcycle Emptiness, Enola/Alone, Faster, Everything Must Go, Suicide Is Painless and the finale, A Design For Life – during which they launched confetti/tickertape over the crowd!

I was so pleased they played My Little Empire too, one of my favourite songs not just from that particular album but from their whole repertoire. There was something a bit lacking from it (a guitar sound) but I didn’t care.

Some King of Nothingness was pretty damn good as well, come to think of it.

All in all a fantastic gig. We were buzzing afterwards. I hadn’t even been drinking! (Apart from a half.)

Here’s some of Slash’n’Burn, and scroll underneath for the full set list.

Set List

  • Stay Beautiful
  • Your Love Alone Is Not Enough
  • Motorcycle Emptiness
  • (It’s Not War) – Just The End Of Love
  • Life Becoming a Landslide
  • Enola/Alone
  • My Little Empire
  • Faster
  • Slash ‘n’ Burn
  • Solitude Sometimes Is
  • You Stole The Sun From My Heart
  • Postcards From A Young Man
  • Of Walking Abortion
  • Motown Junk
  • If You Tolerate This Your Children Will Be Next
  • Can’t Take My Eyes Off You (Acoustic)
  • Everything Must Go (Acoustic)
  • The Masses Against the Classes
  • Let Robeson Sing
  • Some Kind Of Nothingness
  • Suicide is Painless (Theme from MASH)
  • You Love Us
  • A Design For Life

WHAT a set list! There was barely a break between each song as well, consumate professionals, outstanding.

Go to the Setlist.fm page which has links to the songs, some of them are live from a random gig and some are promo videos. Great idea for a site because you can listen to songs in the same order as the gig without having to make a playlist or buy the things you’re missing.

Do also have a read of Lukeh’s recap here!

In Closing

I’m so pleased to now have seen nearly all of my favourite bands I listened to as a teenager in the late 90s:
Manics,
Blur (amazing comeback gig),
Oasis (not long before they split),
Radiohead,
not to mention two fantastic R.E.M. gigs! (with Idlewild at one and Editors at another)

I may be ten years late, but that’s an ambition fulfilled! Thanks to all those who helped make it happen.

Earworms: #5, #6, #7

I love Tellison. Their 2007 debut album Contact! Contact! ought to have been massive, there were others albums around at the time from on the face of it quite similar bands with a vaguely similar sound but this was so very much better, the songs are tighter and the hooks catchier, the energy more infectious. It lifts the band well above the competition… yet seemingly nothing.

It barely scraped the surface of popularity, an underground hit reaching success as much through word of mouth as from publicity – though I understand some songs did get played on some E4 shows. Read into that what you will. I’ll be the first to admit I don’t follow the music press so I don’t know who is getting PR and who isn’t, but I like to think I have an idea of who is emerging. It is time Tellison did.

The band has now recorded a second album (I don’t know when it is out) and have set about touring the UK to support it. I am planning to see them tomorrow, Wednesday October 6th where they will playing at The Orange Box in Yeovil, in support of Get Cape, Wear Cape, Fly.

I’m breaking with the short-lived tradition of this ‘Song of the Day’ series by including three songs. If you like these songs check out YouTube/iTunes/Spotify to see if you like some more but most importantly DO NOT PIRATE these songs. Please buy them and consider getting the full album/s. This isn’t a massive band on a massive record label and they need and deserve the money and recognition from real sales. They make a difference.

Artist: Tellison
Song: Gallery
Album: Contact! Contact!
Year: 2007

Artist: Tellison
Song: New York New York New York (live version)
Album: Contact! Contact!
Year: 2007

Artist: Tellison
Song: Wasp’s Nest
Album: n/a – standalone single
Year: 2008

Contact! Contact! and the single Wasp’s Nest are available on iTunes and Spotify. The new album is out soon.

BUY ALL OF THEM

Hear more of my Earworms.